ArtworkPublished displayGallery placedSep 2, 2024

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Ssurrealistic_mindPublished Sep 2, 2024
Tags#artwork#architecture#AI-ARTS COMPETITION 3rd Edition#dystopia#environmental destruction

Artwork image

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Artwork gallery

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Artist statement

 

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In a dystopian future where humanity has nearly completely destroyed its environment, only a few refuges remain. Like gigantic spaceships, windowless and forbidding, futuristic concrete structures rise amidst the desolate remnants of nature. The massive concrete structures, with their smooth and monochromatic surfaces, offer no view outside. Any connection to the external world is severed. The inhabitants are isolated from the uninhabitable environment. The price for this is high. People live alienated and isolated, having lost their connection to nature. The concrete walls serve as both protection and prison, a constant reminder of past mistakes and the failure to create a sustainable future in time.

 

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About the artist

S
surrealistic_mind

@surrealistic_mind

My name is Katja Marciniec, and I am a cultural scientist. Since my youth, I have been engaged in creative processes, including drawing and photography, as well as experimental attempts with Super 8 and video. My interest lies in exploring different ways of communication, primarily through visual media. The use of Artificial Intelligence (AI) in the cultural realm influences how art is created and perceived. As a dynamic interface between technology and human creativity, it extends the boundaries of artistic creation by incorporating algorithms and machine learning into a new level of image design. For me, this has created an inspiring space—a new dimension where it is possible to create and explore new realities. In my works, I intertwine personal thoughts and emotions to give them a visual form, connecting with the world in this way. In addition to elements of the dreamlike and fantastically absurd, I draw on contemporary, historical, and literary references in my AI works. Alongside classical literary topoi and pop-cultural allusions, I incorporate current themes such as climate change and environmental protection, which I transform into new visual forms through defamiliarization. This way, it is possible to combine the incompatible, breathe life into inanimate objects, liquefy the material, and deconstruct and reshape forms. In my work, I often prefer the method of serial variation alongside individual images. I believe that AI-based art is more than just a tool for generating aesthetically pleasing images. The collaboration between humans and machines not only provides new tools and techniques but also enables the discovery of new means of expression to expand creative processes. It is important that AI art is created with transparency and respect for copyright laws.

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